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Funded by a generous grant from the Kress Foundation, the Kress Postdoctoral Fellow will collaborate with permanent research and professional staff to develop taxonomic and research enhancements for the Index’s redesigned online application, which is set to launch in fall 2017. Salary is $60,000 plus benefits for a 12-month appointment, with a $2,500 allowance provided for scholarly travel and research. The Fellow will enjoy research privileges at Princeton Libraries as well as opportunities to participate in the scholarly life of the Index and the Department of Art & Archaeology.
The successful candidate will have a specialization in medieval art from any area or period; broad familiarity with medieval images and texts; a sound grasp of current trends in medieval studies scholarship; and a committed interest in the potential of digital resources to enrich work in art history and related fields. Strong foreign language and visual skills, the ability to work both independently and collaboratively after initial training, and a willingness to learn new technologies are highly desirable; previous experience in digital humanities, teaching, and/or library work is advantageous. Applicants must have completed all requirements for the PhD, including dissertation defense, before the start of the fellowship. Preference will be given to those whose subject expertise complements that of current Index staff.
Applications will be reviewed beginning January 15 and will continue until the position is filled. Applicants must apply on line at https://jobs.princeton.edu/applicants/jsp/shared/Welcome_css.jsp, submitting a C.V., a cover letter, a research statement, and the names and contact information of three references. The position is subject to the University’s background check policy.
Princeton University is an Equal Opportunity/Affirmative Action Employer, and all qualified applicants will receive consideration for employment without regard to age, race, color, religion, sex, sexual orientation, gender identity or expression, national origin, disability status, protected veteran status, or any other characteristic protected by law.
The Index is pleased to announce the speakers for two honorary sessions at the International Congress on Medieval Studies to be held at Western Michigan University (Kalamazoo, MI) on May 11-14, 2017.
Organized by Judith Golden and Jessica Savage, Index of Christian Art, Princeton University
In Honor of Adelaide Bennett Hagens I: Text-Image Dynamics in Medieval Manuscripts
Presider: Judith H. Oliver, Colgate University, Professor Emerita
This session will examine the interaction between words and images in medieval manuscripts as they shape the reader-viewer’s experience of the book. How do texts and images interact on the page? How did medieval readers respond to the varied discourses between images and texts? This session endeavors to open up new perspectives in describing, analyzing, and contextualizing manuscript illumination according to their intrinsic or peripheral textual elements. Papers in this session will undertake a close study of a particular manuscript and will expand upon theories for image-text composition by reviewing evidence of an artist’s written instructions; reading images with layered text additions, omissions or annotations; and recovering the reader’s experience through text and iconography.
Martha Easton (Seton Hall University)
“Artists and Autonomy: Written Instructions and Preliminary Drawings for the Illuminator in the Huntington Library Legenda aurea (HM 3027)”
Taylor McCall (University of Cambridge)
“Bodies of Words: Text and Image in an Illustrated Anatomical Codex (Bodleian Library, MS Ashmole 399)”
Benjamin C. Tilghman (The Material Collective & Lawrence University)
“A Votive ‘Closing’ in the Claricia Psalter (Walters MS W.26)”
In Honor of Adelaide Bennett Hagens II: Signs of Patronage in Medieval Manuscripts
Presider: M. Alison Stones, University of Pittsburgh, Professor Emerita
This session will examine the varied “visual signatures” of manuscript patrons, including dress, gestures, posture, and attributes of donor figures; heraldry and personalized inscriptions; marginal notes, colophons, dedications, and other signs of ownership and use in medieval manuscripts. Building on scholarship presented in the 2013 Index of Christian Art conference Patronage: Power and Agency in Medieval Art, this session will investigate the dynamic system of patronage centered on the interaction of owners with their books (whether as creator, patron, commissioner, or reader-viewer). Papers will address the importance of gender and social roles in book production, use, and readership, or will expand upon the role of patron as instigator in the book creation process, from payment to design.
Maeve Doyle (Bryn Mawr College)
“How Owner Portraits Work”
Jesús Rodríguez Viejo (University of Edinburgh)
“The Patroness Portrait of the Fécamp Psalter (c. 1180): An Unknown Example of Royal Artistic Commission in Angevin Normandy”
Shannon L. Wearing (University of California, Irvine)
“Patron Portrait as Creation Myth: On ‘Production Scenes’ in Illuminated Manuscripts”
In July 2016, Adelaide Bennett Hagens retired from the Index of Christian Art at Princeton University after fifty years of dedicated research and scholarship. She studied under Robert Branner at Columbia University and joined the Index during the directorship of Rosalie Green. Adelaide has studied medieval art in a variety of media, but her passion at the Index and in her personal research has always been manuscript illumination, particularly of the Gothic period. Her publications include “Some Perspectives on the Origins of Books of Hours in France in the Thirteenth Century,” in Books of Hours Reconsidered, edited by Sandra Hindman and James H. Marrow (2013); “Making Literate Lay Women Visible: Text and Image in French and Flemish Books of Hours, 1220–1320,” in Thresholds of Medieval Visual Culture: Liminal Spaces, edited by Elina Gertsman and Jill Stevenson (2012); and “The Windmill Psalter: The Historiated Letter E of Psalm One,” Journal of the Warburg and Courtauld Institutes 43 (1980). In two sessions, we celebrate Adelaide’s accomplishments and recognize her contributions to the Index of Christian Art and to the wider medieval and academic community.