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The Gabriel Millet Collection
The Lois Drewer Database
Romanesque Database
The Elaine C. Block Database of Misericords
The Svetlana Tomekovic Database of Byzantine Art
The Gertrude and Robert Metcalf Collection of Images of Stained Glass
The Mills-Kronborg Collection of Danish Church Wall Paintings
The Tuck Langland Collection
Bibliographies for the Study of Medieval Art
This annual publication transferred to its new home at the Index of Christian Art, Princeton University, in October 1999. It is one of the premier journals to deal with iconography and covers every aspect of visual culture up to 1600. Published on an annual basis, past volumes have included articles which have dealt with subjects as diverse as the parish church to recent approaches to early Christian and Byzantine art. These topics are of current interest and are, like the other studies in the journal, approached from an interdisciplinary or theoretical perspective by eminent scholars in the field. The journal also includes a number of shorter scholarly articles, on a variety of themes, written by some of the most learned students and scholars in the field. Published studies in iconography and art history are reviewed in every volume.
| Debra Higgs Strickland: | “Antichrist, and the Jews in Medieval Art and Protestant Propaganda” |
| Elina Gertsman: | “Image as Word: Visual Openings, Verbal Imaginings” |
| Nina Rowe: | “Pocket Crucifixions: Jesus, Jews and Ownership in Fourteenth-Century Ivories” |
| Paula Mae Carns: | “Remembering Floire et Blancheflor: Gothic Secular Ivories and the Arts of Memory” |
| Richard A. Leson: | “Heraldry and Identity in the Psalter-Hours of Jeanne of Flanders(Manchester, John Rylands Library, Ms. lat. 117)” |
The Bayeux Tapestry: New Interpretations, ed. Martin K. Foys, Karen Eileen Overby, and Dan Terkla
By Herbert R. Broderick
Maria Vassilaki, The Painter Angelos and Icon-Painting in Venetian Crete
By Maria Evangelatou
Andrew Ladis, Giotto’s O: Narrative, Figuration, and Pictorial Ingenuity in the Arena Chapel. Anne Derbes and Mark Sandona, The Usurer’s Heart: Giotto, Enrico Scrovegni, and the Arena Chapel in Padua. Laura Jacobus, Giotto and the Arena Chapel: Art, Architecture and Experience
By Holly Flora
Jean Wirth, Les Marges ŕ drôleries des manuscrits gothiques (1250-1350)
By Elizabeth Moore Hunt
Beth Williamson, The Madonna of Humility: Development, Dissemination & Reception, c. 1340-1400
By M. A. Michael
Beate Fricke, Ecce Fides: Die Statue von Conques, Götzendienst und Bildkultur im Westen
By Pamela Sheingorn
Ursula Peters, Das Ich im Bild: Die Figur des Autors in volkssprachigen Bilderhandschriften des 13. bis 16 Jahrhunderts
By Alison Stones
| EDITORS | |
| Michael Curschmann | Princeton University |
| Colum Hourihane | Princeton University |
| Lucy Freeman Sandler | New York University |
| BOOK REVIEW EDITOR | |
| Queries to be addressed to Colum Hourihane, Princeton University | |
| EDITORIAL ADVISORY BOARD | |
| Elizabeth Valdez del Álamo | Montclair State University |
| Susan Boynton | Columbia University |
| Ann Derbes | Hood College |
| Marcia Hall | Temple University |
| Adelaide Bennett Hagens | Princeton University |
| Dale Kinney | Bryn Mawr University, emeritus |
| Karl Morrison | Rutgers University, emeritus |
| Catherine Puglisi | Rutgers University |
| Nina Rowe | Fordham University |
| Larry Silver | University of Pennsylvania |
Annual rates are $50.00 per institution and $25.00 per individual. This includes postage for domestic subscribers only. Orders may be emailed directly to cynthia.seedorff@wmich.edu.
For shipment outside of continental USA and multiple copies, please contact:
Medieval Institute Publications
Western Michigan University
1201 Oliver Street Kalamazoo, MI 49008-3801
Phone: (269)387-8755; Fax (269)387-8750)
Submissions for publication in the journal are welcome and should be addressed to:
Studies in Iconography
A7 McCormick Hall
Index of Christian Art
Princeton University
Princeton, NJ 08544
Please forward each article in triplicate and include your email address if available.