This annual publication transferred to its new home at the Index of Christian Art, Princeton University, in October 1999. It is one of the premier journals to deal with iconography and covers every aspect of visual culture up to 1600. Published on an annual basis, past volumes have included articles which have dealt with subjects as diverse as the parish church to recent approaches to early Christian and Byzantine art. These topics are of current interest and are, like the other studies in the journal, approached from an interdisciplinary or theoretical perspective by eminent scholars in the field. The journal also includes a number of shorter scholarly articles, on a variety of themes, written by some of the most learned students and scholars in the field. Published studies in iconography and art history are reviewed in every volume.
| Kirk Ambrose: | “Imagining Savage Piety at St.-Paul-de-Varax” |
| Rossitza B. Schroeder: | “Images of Christ Emmanuel in Karanlik Kilise” |
| Holly Flora: | “The Charity of the Virgin Mary in the Paris Meditations on the Life of Christ (Bibliothèque Nationale de France Ms. ital. 115” |
| Aden Kumler: | “Faire translater, faire historier: Charles V’s Bible historiale and the Visual Rhetoric of Vernacular Sapience” |
| Marina Vidas: | “Elizabeth of Bosnia, Queen of Hungary, and the Tomb-Shrine of Saint Simeon in Zadar: Female Patronage, Heresy and the Power of Relics in Fourteenth-Century Dalmatia” |
| Meryl Bailey: | “Salvatrix Mundi: Representing Queen Elizabeth I as a Christ Type” |
| Larry Silver and Henry Luttikhuizen: | “The Quality of Mercy: Representation of Charity in Netherlandish Art” |
Eunice Dauterman Maguire and Henry Maguire, Their Icons: Art and Power in Byzantine Secular Culture
By Maria Parani
Diane J. Reilly, The Art of Reform in Eleventh-Century Flanders: Gerard of Cambrai, Richard of Saint-Vanne and the Saint-Vaast Bible
By Richard Gameson
Jane Geddes, The St Albans Psalter: A Book for Christina of Markyate
By Patricia Stirnemann
Paul Payan, Joseph: Une Image de la paternité dans l’Occident medieval
By Pamela Sheingorn
Véronique Plesch, Painter and Priest: Giovanni Canvesio’s Visual Rhetoric and the Passion Cycle at La Brigue
By David Areford
| EDITORS | |
| Michael Curschmann | Princeton University |
| Colum Hourihane | Princeton University |
| Lucy Freeman Sandler | Emerita, New York University |
| BOOK REVIEW EDITOR | |
| Adelaide Bennett Hagens | Princeton University |
| EDITORIAL ADVISORY BOARD | |
| Celia Chazelle | The College of New Jersey |
| Ann Derbes | Hood College |
| Lois Drewer | Princeton University |
| Marcia Hall | Temple University |
| Robert Maxwell | University of Pennsylvania |
| Catherine Puglisi | Rutgers University |
| Pamela Sheingorn | Baruch College and the Graduate Center, CUNY |
Annual rates are $50.00 per institution and $25.00 per individual. This includes postage for domestic subscribers only. Orders may be emailed directly to cynthia.seedorff@wmich.edu.
For shipment outside of continental USA and multiple copies, please contact:
Medieval Institute Publications
Western Michigan University
1201 Oliver Street Kalamazoo, MI 49008-3801
Phone: (269)387-8755; Fax (269)387-8750)
Submissions for publication in the journal are welcome and should be addressed to:
Studies in Iconography
A7 McCormick Hall
Index of Christian Art
Princeton University
Princeton, NJ 08544
Please forward each article in triplicate and include your email address if available.