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March 17th and 18th, 2011 |
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David S. Areford, |
“Print Trouble” |
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Brigitte Bedos-Rezak, |
“Outcast. Seals of the Medieval West and their Epistemological Frameworks (XIIth-XXIst centuries)” |
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Frédéric Billiet and Welleda Muller, |
“The Art of the Misericord-Neglected and Important” |
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Paul Binski, |
“Paris, London, Rome around 1300: Questioning Art Hierarchies” |
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Susan Boynton, |
“Music as Text and Image” |
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John Cherry, |
“Medieval Jewelry: From Collections to Consumerism” |
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Michael W. Cothren, |
“Reflections on Modern and Postmodern Historiographies of Gothic Stained Glass” |
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Thomas E. Dale, |
“Romanesque Mural Painting, Colour and the Senses in Sacred Space” |
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Sharon Gerstel, |
“The Clay Church: Reflections on the Monumental Use of Ceramics in Byzantine Ecclesiastical Decoration” |
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Cynthia Hahn, |
“Some Thoughts on the Production and Prestige of Medieval Enamels” |
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Colum Hourihane, |
Moderator |
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Jos Koldeweij, |
“The Discovery and Study of Pilgrim Badges and Ampullae since the mid 19th century, in France, Germany, the U.K. and especially in the Netherlands” |
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Alan M. Stahl, |
“Image and Art on Medieval Coinage” |
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Laura Weigert, |
“The Art of Medieval Tapestry: Neither Minor nor Decorative” |
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Paul Williamson, |
“Small but not Minor: The Case of Medieval Ivory Carvings” |
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Harald Wolter-von dem Knesebeck, |
“Secular Art-Its Order and Importance” |
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Kim Woods, |
“The Fortunes of Art in Alabaster: a Historiographical Analysis” |