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October 26th and 27th, 2006
Romanesque Art and Thought in the Twelfth Century
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Anne-Marie Bouché,
Princeton University
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Moderator for the afternoon session
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Walter Cahn,
Yale University, Emeritus
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Romanesque Art, Then and Now. A Personal Reminiscence
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Madeline H. Caviness,
Tufts University
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The Historiography of Romanesque Art in the Early 20th Century: The Politics of Taste
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Ilene H. Forsyth,
Arthur F. Thurnau Professor of the History of Art, Emerita,
University of Michigan
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Word-Play in the Moissac Cloister
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Sandy Heslop,
University of East Anglia
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The Impact of the Utrecht Psalter in English Romanesque Art
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Colum Hourihane
Index of Christian Art, Princeton University
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Robert Maxwell,
University of Pennsylvania
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Introduction and Welcome and Moderator for the morning session
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Elizabeth Sears,
University of Michigan
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Introduction: The Art Historical Work of Walter Cahn
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Mary B. Shepard,
International Center of Medieval Art
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Memory and ‘Belles Verrières'
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Élaine Vergnolle,
Université de Besançon, Émérité
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‘Maiestas Domini’ Portals of the Twelfth Century
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Jonathan Alexander
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Moderator for the morning session
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Giles Constable
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Moderator for the afternoon session
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Dorothy F. Glass,
University at Buffalo, Emerita
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Revisiting the ‘Gregorian Reform’
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Herbert L. Kessler,
Johns Hopkins University
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Evil Eye(ing): Romanesque Art as a Shield of Faith
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Valentine Pace,
Università degli Studi di Udine
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Mediterranean Crossroads: Questions of Art and Patronage in the Kingdoms of Jerusalem and Sicily
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Bruno Reudenbach,
Universität Hamburg
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Romanesque Reliquaries: Visualizing Holy Bodies
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Lucy Freeman Sandler,
New York University
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The Weingarten Office Lectionary and Passionale in St. Petersburg and New York
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Willibald Sauerländer,
Zentralinstitut für Kunstgeschichte in München, Emeritus
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Romanesque Art in 2006. A worn out notion?
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Patricia Stirnemann,
Institute de Recherche et d’Histoire des Textes
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French Romanesque Manuscripts, Pathways of Past and Future Research
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John Williams,
University of Pittsburgh, Emeritus
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Framing Santiago
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