Index of Christian Art: Iconography at the Index – Celebrating Eighty Years of the Index of Christian Art

October 28th and 29th 1997 Iconography at the Index – Celebrating Eighty Years of the Index of Christian Art
Adelaide Bennett, Princeton University Index of Christian Art	A Woman’s Power of Prayer Versus the Devil in a Book of Hours of circa 1300.
Anne Marie Bouche, Princeton University	Moderator – Tuesday afternoon
Hans Brandhorst, Rijksuniversiteit Utrecht, Departement Computer en Letteren	The Icoographic Comparison of Miniature Cycles, A Case Study
Michael Curschmann, Princeton University, Department of Germanic Languages and Literatures	On the Iconography of Vernacular Speech in 12th and 13th Century Manuscripts
James D’Emilio, University of South Florida, Humanities Department	Looking Eastwards; The Story of Noe at Monreale Cathedral
John Fleming, Princeton University, Department of English	The Personal Appropriation of Iconographic Forms: Two Franciscan Signatures
Jaroslav Folda, University of North Carolina, Department of Art	Problems in the Iconography of the Art of the Crusaders
Cynthia Hahn, Florida State University, Department of Art History	Iconography of Intertextuality? Reliquaries of Limoges
Debra Hassig, University of Oklahoma, Department of Modern Languages	The Iconography of Rejection: Jews and Other Monstrous Races
Avril Henry, University of Exeter, School of English and American Studies	Daring Conflation? A Difficult Image in the Genesis Sequence of the Eton Roundels (Eton College MS.177.f.2r)
Colum Hourihane, Princeton University, Index of Christian Art	Introduction
James Marrow, Princeton University	Moderator - Tuesday morning
William Noel, Walters Art Gallery, Department of Manuscripts and Rare Books	The Visual Syntax of the Utrecht Psalter
Alison Stones, University of Pittsburgh, Henry Clay Frick Department of History of Art	Nipples, Entrails, Severed Heads and Skin; Devotional Pictures for Madame Marie on the Franco-German border in the late 13th Century
Kirk Alexander, Princeton University	Moderator – Wednesday afternoon
Hans Brandhorst, Rijksuniversiteit Utrecht, Departement Computer en Letteren	ICONCLASS and the Outside World
Joseph Busch, Getty Information Institute	Moderator – Wednesday morning
Eleanor Fink, Director, Getty Information Institute	Welcome and opening address
Eileen Fry, Indiana University, Department of History of Art	Admittance to Mecca – A Non-Specialist
Lutz Heusinger, Bildarchiv Foto, Marburg	How to Improve Art Historical Standards
Colum Hourihane, Princeton University, Index of Christian Art	Concluding remarks
Marco Lattanzi, Ministero per I Beni Culturali e Ambientali, ICCD	The ICCD Project of the Italian Version of ICONCLASS
Helene Roberts, Dartmouth College, Art History Department	The Precedent Behind Every Action, Its Invisible, Ever Present Lining
Carol Togneri, Getty Information Institute, Provenance Index	ICONCLASS and its Application to Primary Documents
Jurgen Van Den Berg, Rijksuniversiteit Utrecht, Departement Computer en Letteren	ICONCLASS: The New Browser, Interface and System
Peter Van Huisstede, Rijksuniversiteit Utrecht, Departement Computer en Letteren	ICONCLASS as an Indexing Tool
Ger Vellekoop, Rijksuniversiteit Utrecht, Departement Computer en Letteren	Multi-Lingual ICONCLASS – Translating the ICONCLASS System
The proceedings from this conference have been published and this volume is available for purchase from the Princeton University Press